Book Review: The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism, edited by Marco Briziarelli and Emiliana Armano

Authors

  • Lindsay Weinberg University of California Santa Cruz

DOI:

https://doi.org/10.31269/triplec.v16i1.1015

Keywords:

Digital capitalism, spectacle, Guy Debord, digital labour, commodification

Abstract

Lindsay Weinberg reviews Marco Briziarelli and Emiliana Armano (eds.) 2017. The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism. London: University of Westminster Press.

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Author Biography

  • Lindsay Weinberg, University of California Santa Cruz

    Lindsay Weinberg is a PhD Candidate in the History of Consciousness Department at the University of California, Santa Cruz. Her dissertation is an interdisciplinary analysis of personalisation, meaning the web of technologies and cultural practices that generate information about consumers to market goods and services to target audiences. Her research interests include the history of leisure-time surveillance, discourses concerning possessive individualism and privacy, and content moderation online. Her work has appeared in Lateral and Westminster Papers in Communication and Culture. She is also the contributing editor of Studies In Control Societies.

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Published

2018-03-12

Issue

Vol. 16 No. 1 (2018)

Section

Reflections (Non Peer-Reviewed)

License

tripleC is a peer-reviewed, open-access journal (ISSN: 1726-670X). All journal content, except where otherwise noted, is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License.